{"id":2302,"date":"2024-01-20T16:00:04","date_gmt":"2024-01-20T16:00:04","guid":{"rendered":"https:\/\/esenyurtgazetesi.com\/?p=2302"},"modified":"2024-01-20T16:00:04","modified_gmt":"2024-01-20T16:00:04","slug":"ressam-adyalinin-as-beni-projesi-ve-manifestosu","status":"publish","type":"post","link":"https:\/\/esenyurtgazetesi.com\/index.php\/2024\/01\/20\/ressam-adyalinin-as-beni-projesi-ve-manifestosu\/","title":{"rendered":"Ressam Adyali’nin “As Beni” projesi ve manifestosu"},"content":{"rendered":"

\u2018\u2018As Beni\u2019\u2019 2023 Eyl\u00fcl\u2019de \u0130stanbul\u2019da Adyali taraf\u0131ndan ger\u00e7ekle\u015ftirilen performatif bir resim enstalasyonu. Resimlerinin izleyiciyle bulu\u015fmas\u0131n\u0131 hedefleyen Adyali, 48\u2019i kanvas tablodan ve 17\u2019si ka\u011f\u0131t \u00fczerine yap\u0131lm\u0131\u015f akrilik resimlerinden olu\u015fan toplamda 65 adet resmini sokaklara \u2018\u2018As Beni\u2019\u2019 yazan etiketlerle yerle\u015ftirip, izleyicinin be\u011fenisine sundu. Resimlerini at\u00f6lyesinden \u00e7\u0131karmak olan bu performans\u0131n amac\u0131; eserlerini be\u011fenen veya ilgilenen ki\u015filerle kar\u015f\u0131la\u015fmak, bu ki\u015filerce Adyali resimlerinin sokaktan \u00fccretsiz olarak al\u0131n\u0131p sahiplenilmesidir.<\/p>\n

Adyali, \u2018\u2018\u00dcretti\u011fim eserler, bir depoda tozlanaca\u011f\u0131na \u00e7oktan dola\u015f\u0131ma girsin istedim. Gerek sanatsever biri al\u0131p evine g\u00f6t\u00fcrs\u00fcn; gerek geri d\u00f6n\u00fc\u015f\u00fcme de\u011fer veren biri al\u0131p \u00fcst\u00fcne boyas\u0131n; gerekse bir eskici arabas\u0131nda hi\u00e7 yoksa materyali pahas\u0131na sat\u0131lmak \u00fczere devam etsin yolculu\u011fu\u2026 Kim bilir oradan nereye varacak tablolar\u0131m. Kan\u0131mca bu noktada \u00f6nemli olan, \u00fcretmeme sebep olan o hissin bedenimden ge\u00e7ip kanvasa yans\u0131m\u0131\u015f olmas\u0131 ve benden \u00e7\u0131karak yeni yerini bulmaya do\u011fru yola \u00e7\u0131km\u0131\u015f olmas\u0131.\u2019\u2019 diyor.<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

G\u00fcn\u00fcm\u00fcz sanat t\u00fcketimini ele\u015ftiren Adyali \u2018\u2018T\u0131pk\u0131 sosyal medyada gezinirken kar\u015f\u0131m\u0131za \u00e7\u0131kan bir g\u00f6rsel gibi resimlerim de insanlar\u0131n kar\u015f\u0131s\u0131na \u00e7\u0131ks\u0131n istedim. Bir galeri ortam\u0131nda olmadan, g\u00fcnl\u00fck ya\u015fam\u0131n i\u00e7inde, beklenmedik bir st\u00fcdyo ziyareti gibi hissettirsin istedim. \u0130zleyen be\u011fenisini dile getirebilsin, merak\u0131n\u0131 tabloya temas ederek giderebilsin, isterse eline al\u0131p arkas\u0131n\u0131 \u00f6n\u00fcn\u00fc \u00e7evirip bakabilsin ve \u2018\u2018kim bilir almaya kalksam ne kadard\u0131r\u2019\u2019 d\u00fc\u015f\u00fcncesiyle kendiyle ba\u011fda\u015ft\u0131rd\u0131\u011f\u0131 eseri evine g\u00f6t\u00fcrmekten vazge\u00e7mesin diye \u00e7areyi yine soka\u011f\u0131n \u00f6zg\u00fcrl\u00fc\u011f\u00fcnde buldum.\u2019\u2019 diye ekliyor.<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Sanat\u0131n kal\u0131pla\u015ft\u0131r\u0131lmas\u0131na kar\u015f\u0131 hareketle devam ediyor \u2018\u2018Bu performansla, sanat\u0131n s\u0131k\u0131\u015ft\u0131r\u0131ld\u0131\u011f\u0131 kal\u0131plardan ta\u015fmas\u0131n\u0131 izlemeyi diliyorum. \u2018Sanat\u00e7\u0131 ona denir, buna denir.\u2019 kal\u0131plar\u0131ndan uzakla\u015f\u0131lmas\u0131n\u0131 diliyorum. Hisler ve d\u00fc\u015f\u00fcncelere arac\u0131l\u0131k eden bir \u015feyin akademi diliyle tan\u0131mlanmas\u0131na ve yaln\u0131z belli birikimler sonucu eri\u015filebilir olmas\u0131na kar\u015f\u0131 oldu\u011fumu ve kar\u015f\u0131 olunmas\u0131 gerekti\u011fini g\u00f6stermek istiyorum. E\u011fer biri tabloma bakt\u0131\u011f\u0131nda kendinden bir \u015fey buluyor, bir s\u00fcredir \u00fczerine d\u00fc\u015f\u00fcnmedi\u011fi \u015feyi d\u00fc\u015f\u00fcn\u00fcyor veya bu benim olsa nerede tutaca\u011f\u0131m\u0131 \u00e7ok iyi biliyorum diyorsa\u2026 buyursun.\u2019\u2019<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

\u2018\u2018Bu hisleri ya\u015famak i\u00e7in bir g\u00fcn\u00fcn\u00fc galeri gezmeye ve hi\u00e7 sahip olamayaca\u011f\u0131 bir eserin, telefonuyla yaln\u0131z bir foto\u011fraf\u0131n\u0131 \u00e7ekip sosyal medyada payla\u015fmaktan \u00f6tesine ge\u00e7ebilsin ki\u015filerin sanatla olan ili\u015fkisi. Sanat herkes taraf\u0131ndan t\u00fcketilebilmeli, gerekti\u011fince ba\u011f kurulabilmeli ve \u00e7\u0131kart\u0131lan o mertebeden sanat\u0131 indirmek i\u00e7in sanat\u00e7\u0131lar \u00fcst\u00fcne d\u00fc\u015feni yerine getirebilmeli.\u2019\u2019<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Ger\u00e7ekle\u015ftirdi\u011fi performans sonucu kar\u015f\u0131la\u015ft\u0131klar\u0131n\u0131 \u015f\u00f6yle dile getiriyor:\u00a0<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>\u2018\u2018En nihayetinde, 4 g\u00fcn s\u00fcren bu rastlant\u0131sal enstalasyon s\u00fcreci sonucunda \u00fcretti\u011fim 65 adet \u2018arac\u0131\u2019 k\u0131ld\u0131\u011f\u0131m resimlerim sokaklara da\u011f\u0131t\u0131ld\u0131. Sergi s\u00fcreci boyunca bir\u00e7ok olumlu yorum ald\u0131m. Olumlu yorumlar aras\u0131nda, merakla bana yakla\u015farak ne yapt\u0131\u011f\u0131m\u0131 soran, ya\u015f\u00e7a nazaran daha b\u00fcy\u00fck insanlar\u0131n etkile\u015fimleri de bulunuyor. Bu kazan\u0131mlar\u0131m \u0131\u015f\u0131\u011f\u0131nda art\u0131k yeni bir bak\u0131\u015f a\u00e7\u0131s\u0131yla \u00fcretmeye ve kendimden soka\u011fa ve ya\u015fant\u0131ya katmaya devam edece\u011fim.\u2019\u2019
Adyali ayn\u0131 zamanda projesinin manifestosunu da yay\u0131mlad\u0131.\u00a0<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

\u00a0<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>\u00a0<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>\u00a0<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

– As Beni Manifesto –<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/strong><\/p>\n

Ben Adyali.<\/p>\n

2018\u2019den bu yana biriktirdi\u011fim tablolar\u0131m\u0131 ve ka\u011f\u0131t \u00fczerine yapt\u0131\u011f\u0131m 65 resmimi, at\u00f6lyemden \u00e7\u0131kart\u0131p \u00fczerine \u2018\u2018As Beni\u2019\u2019 yazan etiketlerle sokaklara yerle\u015ftirdi\u011fim ve 4 g\u00fcn s\u00fcren performatif bir sergi enstalasyonu ger\u00e7ekle\u015ftirdim. Bana ilham olan sokaklara, benden ve at\u00f6lyemden ge\u00e7en hisler ve d\u00fc\u015f\u00fcncelerle \u00fcretti\u011fim eserlerimi geri b\u0131rakt\u0131m.<\/p>\n

Amac\u0131m, sanatla kar\u015f\u0131la\u015fmay\u0131 beklemeyen kitlelere beklenmedik bir sergi deneyimi ya\u015fatmak ve muhtemel izleyici kitlemden etkile\u015fim toplamak ve eserlerimin dola\u015f\u0131ma girmesini sa\u011flamakt\u0131.\u00a0 At\u00f6lye sonras\u0131 yolculuklar\u0131n\u0131n nerede devam edece\u011fini kestiremesem de, eserimi sanatsever birinin al\u0131p evine asmas\u0131 veya bir eskici arabas\u0131nda kanvas\u0131n\u0131n para edecek olmas\u0131 i\u00e7in sat\u0131lmas\u0131 bile benim i\u00e7in \u00e7ok de\u011ferli. \u00c7\u00fcnk\u00fc en nihayetinde resimlerimi ya\u015fam\u0131n i\u00e7inde dola\u015f\u0131ma kazand\u0131rd\u0131\u011f\u0131m\u0131 biliyorum.<\/p>\n

Bu enstalasyonun di\u011fer bir hedefi ise, herhangi birinin ge\u00e7ebilece\u011fi herhangi bir sokakta herhangi bir sanat eserinin bulunmas\u0131n\u0131n, dijitalle\u015fmenin zirvesini ya\u015fad\u0131\u011f\u0131m\u0131z bu d\u00f6nemde sosyal medyada g\u00f6rd\u00fc\u011f\u00fcm\u00fcz bir g\u00f6rselin, ger\u00e7ek boyutuyla ve temas edilebilecek bir arac\u0131 konumuna gelmesiyle sanatla olan etkile\u015fimi art\u0131rmakt\u0131.<\/p>\n

\u0130zleyicilerin, eserleri m\u00fcze, galeri ve sanat alanlar\u0131 d\u0131\u015f\u0131nda, d\u00fczenlenmemi\u015f ve steril olmayan ortamlarda g\u00f6rmesi ve istenirse eserlere temas edebilmesi benim i\u00e7in genel anlamda sanatla olan ili\u015fkinin geli\u015fmesi a\u00e7\u0131s\u0131ndan b\u00fcy\u00fck \u00f6nem arz ediyor. Be\u011fenildi\u011fi takdirde eserlere bila bedel sahip olabilmelerinin ise g\u00fcn\u00fcm\u00fcz sanat t\u00fcketiminde irdelenmeye ihtiya\u00e7 duyulan bir ba\u015fka \u00f6nemli konu oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorum.<\/p>\n

En nihayetinde, sanat\u00e7\u0131 ilham almakla, his ve d\u00fc\u015f\u00fcnceleriyle yo\u011frulmakla ve \u00fcretmekle me\u015fgul olmal\u0131d\u0131r. Sanat\u00e7\u0131lardan sat\u0131\u015f ve pazarlama becerileri beklenmemelidir. Her ne kadar rekabet dolu bir alan olsa da, bu i\u015f d\u00fcnyas\u0131 beklentileri, herkesin ve her \u015feyin birer \u00fcr\u00fcne ve markaya d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fc bu d\u00f6nemde sanat\u00e7\u0131dan hari\u00e7 tutulmal\u0131d\u0131r.<\/p>\n

\u00a0Sanat alanlar\u0131 d\u0131\u015f\u0131nda da sanat\u0131n sergilenebilece\u011fi anlay\u0131\u015f\u0131yla yola \u00e7\u0131kt\u0131\u011f\u0131m ikinci performans\u0131m As Beni, \u0130nsargi sokak sergisine benzer motivasyonlar ta\u015f\u0131yor. \u00c7\u00fcnk\u00fc ben, sanat\u0131n, salt se\u00e7kin gruplarca anla\u015f\u0131labilecek, tart\u0131\u015f\u0131labilecek ve sahip olunabilecek bir insan aktivitesinden \u00e7ok daha \u00f6tesinde ve san\u0131ld\u0131\u011f\u0131n\u0131n aksine hisseden ve d\u00fc\u015f\u00fcnen herkese hitap etti\u011fine inan\u0131yorum.<\/p>\n

Kaynak: (BYZHA) Beyaz Haber Ajans\u0131<\/p>\n","protected":false},"excerpt":{"rendered":"

\u2018\u2018As Beni\u2019\u2019 2023 Eyl\u00fcl\u2019de \u0130stanbul\u2019da Adyali taraf\u0131ndan ger\u00e7ekle\u015ftirilen performatif bir resim enstalasyonu.<\/p>\n","protected":false},"author":1,"featured_media":2303,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[131],"tags":[35,1021,132,493,1022],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/esenyurtgazetesi.com\/index.php\/wp-json\/wp\/v2\/posts\/2302"}],"collection":[{"href":"https:\/\/esenyurtgazetesi.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/esenyurtgazetesi.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/esenyurtgazetesi.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/esenyurtgazetesi.com\/index.php\/wp-json\/wp\/v2\/comments?post=2302"}],"version-history":[{"count":1,"href":"https:\/\/esenyurtgazetesi.com\/index.php\/wp-json\/wp\/v2\/posts\/2302\/revisions"}],"predecessor-version":[{"id":2304,"href":"https:\/\/esenyurtgazetesi.com\/index.php\/wp-json\/wp\/v2\/posts\/2302\/revisions\/2304"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/esenyurtgazetesi.com\/index.php\/wp-json\/wp\/v2\/media\/2303"}],"wp:attachment":[{"href":"https:\/\/esenyurtgazetesi.com\/index.php\/wp-json\/wp\/v2\/media?parent=2302"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/esenyurtgazetesi.com\/index.php\/wp-json\/wp\/v2\/categories?post=2302"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/esenyurtgazetesi.com\/index.php\/wp-json\/wp\/v2\/tags?post=2302"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}